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A Study Using Michael Harding Paints & Stonehenge 300 lb. Cold Press Paper.
A Study Using Michael Harding Paints & Stonehenge 300 lb. Cold Press Paper.

A Study Using Michael Harding Watercolors & Stonehenge 300 lb. Cold Press Paper

Hello friends and fellow artists,

 

Today I would like to try a little something new! Through this blog I would like to take you all with me on my watercolor journey. This week, I had the privilege of trying out a few paints made by Michael Harding. I had the pleasure of meeting him at the Kanuga Watermedia workshops in Montreat, NC. I purchased three tubes of his paint and thought I would give them a try. Additionally, I wanted to try out a watercolor paper that was new to me, Stonehenge Aqua Coldpress 300 lb. I decided to setup these walnut shells I have kept around for a while and here is the result.


Paint Review:


I used Orange Sunset, Amethyst, and Cobalt Blue Deep. I loved all three colors! 

I have been looking for a slightly warm orange biased towards the red that does not lose its vibrancy when dry. If you look at the color swatches this one really hits the mark.

The Amethyst provides a purple biased towards red. While I have often used Quinacridone Magenta to fill this need, but the Amethyst is not as blue in undertone which is also a plus for my pallet.

The Cobalt Blue Deep was quite a surprise. When I began the study, I assumed that I would be able to darken the orange with the blue. However, despite its name, this cobalt blue was very transparent with granulation similar to French Ultramarine. It also was more biased towards red than my usual cobalt blues.

In doing my study, I found it necessary to add some raw and burnt sienna to get the darks I had expected with the original mixes. However, I will be using this beautiful blue for transparent passages in the future.


 

Review of the Stonehenge 300lb. Cold Press Paper:

 

 

I was left with mixed feelings about this paper. I am typically a glaze painter which requires placing one wet layer over a dry one. I found the paper, when resettled, allowed the under layer to lift and remove the first glaze. So, it will not be my choice for glaze paintings.

 

Conversely, the lifting of the paint, did allow dropping paint into the previous glaze if dampened lightly and the ability to lift paint, made corrections possible. The paper does not lend itself to scrubbing with anything stiffer than an eradicator. It tends to pill and fibers are roughed up easily.


 

Overall, I had a wonderful experience taking some time to experiment with new supplies. I have several tried and true materials I can always fall back on, but it can be very refreshing to try something new and see what sticks. I hope this blog can also be an experiment that sticks, and that all of you will enjoy coming along on my watercolor journey.
Yours, the artist, 
Anne Hightower-Patterson

 


 



Comments

8 Responses to A Study Using Michael Harding Watercolors & Stonehenge 300 lb. Cold Press Paper

Thanks, Anne! Very useful information, of course.

Anne, it is wonderful to be brought into your process like this. I’d like to be signed up for your blog very much! Thanks!

I like your study process Please include me in your blog

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Anne, I love this! Your insights when you reviewed these products helped me understand better the considerations regarding colors being biased one way or another. I also liked to see how you evaluated the paper. Please send me more! 😊


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